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Thursday, October 17, 2019

#Musicproduction: Set The Right Reverb Time

When signal processing is timed to the heart beat with the track, all things in the combo sounds considerably smoother. This is applicable to compressors, delays, modulators, and especially reverb.
Just as delays, reverbs sound smoother if they are timed to the heart beat with the track. Doing this adds depth without stuffed and makes all the mix seem more polished. The 2 main parameters which might be adjusted for timing would be the decay a serious amounts of the predelay.

Timing the Decay 

Simply, the decay time it's time it will require with the reverb tail to die out. In the event the decay time is timed to the heart beat or bpm with the song, the track seems tighter and cleaner while still retaining all the depth.
To time the decay time towards track, trigger the reverb while using the snare and adjust the decay parameter so that the decay just dies by either our next snare hit or even a later one. The reasoning is always to result in the decay “breathe” while using the track. This can be used decay time for other reverbs, but you will likely have to regulate them slightly because the decay response of each one reverb or reverb setting (such as hall, plate, chamber, room) differs from the others due the characteristics with the reverb itself.
TIP: In the event the decay sounds quite short after one hit, who's hence the decay dies by the end of the 2nd or perhaps the fourth snare hit. 

Timing the Predelay 

Predelay means delaying the reverb entrance slightly once you hear the foundation signal. The rationale it's used is very the foundation signal doesn't sound passed in ambience. With a modest amount of predelay, you'll hear the source's attack, then the reverb, so the foundation signal has more definition like a result.
Predelay is frequently timed towards tempo with the track. A long time ago of real plates and chambers, predelay was achieved using the slap delay from the tape machine, however nowadays it's really a standard parameter on every reverb plugin or hardware device.
Much the same way that you simply determined the delay time with the track provides timing with the predelay. The main difference is basically that you usually need to have a smaller increment than you might've used in a delay, and it's often less than 100 milliseconds.
For instance, in the event you determined that the right 1/16-note delay time is 150ms, make the grade in half (75ms), then make the grade in half again (37.5ms), and even perhaps in half again (19ms, rounding it off). That's probably the best timing to begin with, but don't forget to try the more or shorter variations as well.
Tip: A predelay while in the 20 to 40ms range is regarded as the common. If toddler who's, just get started with 20ms like a good compromise.
Of those two parameters, the predelay has become the most crucial in how the reverb seems more a part of the track when that parameter is timed. If you want the reverb to stick out slightly, just randomly decide on a predelay time or use none at all. 

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