1. An amplifier or speaker cabinet usually sounds better if it's raised up started in order for the reflections from the bottom don't couple or cancel the direct sound with the speakers. Raise it into the air by putting it on a road case, table, or chair.
2. You can find different tones by simply moving the mic more toward the speaker's dust cap or toward the surround (the edge of the speaker where it meets the metal basket). Different angles, different mics, and other distances from your cabinet will all get a new tonal quality.
3. The guitarist's signal chain can be a huge help or a big hindrance. You'll purchase a warmer yet aggressive guitar sound by decreasing the amount of distortion that may be from the player's pedals, then appearing the amp's volume instead to search for the desired sustain or distortion with the amp and speaker.
4. Typically it's advisable for a gamer new at all to the studio to maintain signal chain around the simple side without a great deal of processing happening on the amp. That being said, some effects are integral to some player's sound.
5. So much of a guitarist's tone emanates from the fingers as opposed to the amp. Great players can coax great sounds from mediocre equipment, but mediocre players can't necessarily get great sounds from great equipment.
6. On the common 4×12 speaker cabinet (such because the standard Marshall 1960 model), the sound with the four speakers usually combines well away of 18 to 24 inches from your cabinet center.
7. When doubling or adding more guitars, it's advisable to enjoy a selection of instruments and amplifiers available. Two guitars (a Les Paul as well as a Strat, for instance) and 2 amplifiers (a Fender as well as a Marshall would be the classic combination) coupled with different pickup settings allows a ton of guitar tracks to more efficiently reside in this mixture together.
8. In an odd paradox, smaller amps and speakers are inclined to sound bigger large amps/speakers when recording.
9. To uncover the sweet right a speaker, place on headphones and listen to the amplifier hiss as you move the mic around around the speaker. You may also insert pink noise in to the input if the noise of the amp at idle isn't loud enough. Provided you can remember what the hiss sounded like after you stood a good guitar sound, then that is a good place to start.
10. Ask playing the guitar player to convert a bad control on his guitars back a touch. This warms things up and will make it sound a little bit bigger, especially when you're layering three or four guitars on top of one another.