Since each specific song, arrangement, instrument, and player is different, it is impossible to give anything in addition to some general guidelines in terms of equalization methods. With that being said, there are a variety of methods that could quickly and easily get you inside the ballpark, if you find out what your going for. Keep in mind that different engineers have techniques used in reaching exactly the same end, therefore, if this doesn't meet your needs exactly, keep trying. The technique makes no difference, only the finish result.
Before these methods are outlined, it is important for you to observe this:
- Listen! Open up your ears and listen carefully to every one the nuances of the sound. All you could hear is important.
- Ensure you're monitoring at a comfortable level—less than loud and less than quiet. If it is too quiet, you will be fooled from the non-linearity in the speakers and overcompensate. If it is too loud, certain frequencies can be masked or overemphasized from the non-linearities in the ear itself, and again you might overcompensate.
EQing for SizeMaking a sound bigger or larger than life usually emanates from adding bass and sub-bass frequencies inside the 40Hz to 250Hz range, although most will result from a spot just beneath 100Hz, a region just above 100Hz, or both.
To use the process, the low-frequency gang of your EQ must be sweepable.
- Set the Boost/Cut control to a reasonable volume of Boost (8 or 10dB should work).
- Sweep throughout the frequencies inside the bass band unless you find the frequency where the sound offers the desired amount of fullness.
- Adjust how much Boost to taste. Don't forget that a lot of Boost will always make the sound muddy.
- Navigate to the frequency either half or twice the frequency for you to utilized in Step 2 and add an accumulation that frequency as well. Example: But if your frequency in Step 2 was 120Hz, head to 60Hz and include a dB or in order well. But if your frequency was 50Hz, head to 100Hz and include a bit there (see the graphic for the left).