When Time-Life selected 250 photos for that Great Photographers volume in their Time-Life Photography series; they chose 68 photographers away from thousands. Those editors defined “great” photographers depending on three main factors.
What Makes a Photographer GreatThe 1st factor was intent. What did the photographer intend when he took the photo, and did he do it? By way of example, did the photographer successfully result in the viewer feel empathy when capturing of survivors of your major natural disaster?
The second factor was technical skill. Did the photographer show an intensive familiarity with composition, light, exposure, and design?
The ultimate factor was consistency. Did the photographer have only one or two great shots, or did they produce success time and again? One great photo...or simply several...does not an awesome photographer make.
Intent, skill, and consistency are the same three factors that may determine your personal greatness. Study the masters like Ansel Adams, Edward Weston, Imogene Cunningham, and Diana Arbus, and you'll see these three factors again and again.
Have you ever heard the idea of, “being your personal worse critic?” By the actual nature of the words utilized, a lot of people tend to think about that to be a negative phrase, when in reality, nothing may very well be further from your truth. To find out and grow in photography, you've got to be sufficiently strong to admit exactly what does and work in the photos.
To that end, this is the strength and weakness checklist that will help you when reviewing your personal photographs. It's not complicated, just study your photo and mark be it strong or weak. There is no middle gray; your image either succeeds or it will not. When you know your weaknesses you'll be able to improve improving in those areas.
Checklist For Criticism1. Intent – Could any viewer consider this photo and KNOW everything you had in mind?
2. Emotional Impact – Can this photo be described with words of emotion, like peace, calmness, anger, rage, joy, or sadness? Does your photo make a psychological statement?
3. Center of curiosity – When composing your images do you successfully direct your viewer's focus a specific point? Would the viewer know where your center of interest rates are?
4. Illusion of depth – Perhaps you've used framing, balance, contrast, along with art concepts to produce your image jump off of the page, or would it just sit there?
5. Subject/background contrast – Shooting a portrait of an individual with black hair against a black background in not usually a very good idea. Does your subject jump out?
6. Personal style – Ansel Adams was famous for extreme illusion of depth and all planes in very sharp focus. Jim Zuckerman is renowned for vibrant colors and simplified subjects of their natural setting. Henri Cartier-Bresson once said, “There is nothing these days without a decisive moment.” How can others describe your distinct approach?
7. Selective focus – Do you end up picking where viewer will appear? If the history is as sharp because foreground, things becomes very visually confusing.
8. Composition – Don't you consistently use the rule of thirds, formal or informal balance, and leading lines? Control where viewer's eyes are most likely to fall in the image.
9. Exposure – Do you typically shoot at whatever you says, or do you control the sunlight? Can you see details in the shadows? As well as used a reflector or bounced a flash versus straight on?
10. Story telling – Is there a feeling of motion within your image, or would it just sit there? Should it leave anything to the imagination, or could it be just a statement of what's? If your image doesn't tell an account, there's no reason so it can gain the second glance. Great photos make you want to look again and again.
Employ this checklist A) to see where you are at this time and B) to see where your projects is going in the future. Using a photographic standard is actually having a road map. It is easy to get from here to there without...however it is a whole bunch easier with one. Knowing what areas you need to improve is the first thing in to become better photographer