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Tuesday, September 4, 2018

#Musicproduction: Equalizer Setting Tips

When considering EQ settings, many students are puzzled by where to start. We are often asked “how can I EQ this instrument?” or “what are rules of Equalization for drums and bass?” Should you use an MPC, Triton, Motif, as well as other hardware gear, the following tips can put but are that should be left to the very last mix stage within your Software Sequencer (Cubase, Sonar, Logic, ProTools, etc).

The key facet of music production equalizer settings & mixing is the reduced shelving or hi pass filter function. These traits can be used for cutting frequencies and they are included as standard features in virtually all Equalizers. When an element in the mix is left untouched, it may well contain unheard frequencies which could restrict the punch, clarity, loudness and with the mix.

The solution is cutting. The objective is usually to remove unneeded frequencies to generate additional space for any elements in the mix. Such as, the frequencies below 100Hz on a snare drum may restrict a sub bass or kick drum.

To be a guideline, I recommend cutting all instruments at 100Hz and cutting the bass instrument and kick drum at 30-40Hz. The human being ear cannot hear anything below 30Hz-40Hz. It will remove bass frequencies in the entire mix that are not heard but undertake energy in the mix. This ‘energy'takes out of your overall headroom meaning it will make the track louder of computer really is. By removing these frequencies on every instrument your current mix becomes louder and punchier. In result, you'll have a better mix and master.

Applying EQ less is always more. Boosting frequencies should also become a last resort. Such as, if a higher hat doesn't have enough top quality, boost the correct frequency needed. However, when you've got 2 instruments in that same frequency, you'll want to boost one and cut additional avoiding interference. For those who are inclined to boost frequencies often, you may want to choose good quality sounds.

Another new use for EQ is to search for the ‘sweet spot'of your sound. Boost the EQ to the highest decibel and sweep all the frequency band in the lowest to highest soon you obtain the ‘sweet spot '. This is the useful technique for finding the regularity range your instrument is in. Beyond that you may choose the amount to take while hearing the mix. Such as, when you've got a bassy string or synth part that disrupts the bottom end, you might like to cut it at 300hz or more. Cutting low frequencies off vocals is the biggest EQ tip of all. Try cutting vocals at 300hz for any low voice or 500hz for a higher female voice. You'll be surprised at how they fit in the mix.

Cubase, Nuendo, Sonar all have eq on every channel. ProTools does not. This can be a problem for ProTools users as EQ is needed as being a plugin which can take valuable CPU usage. I have found mixing in ProTools might take longer from that fact alone. However, you may create buss or group channels in order to reduce the volume of CPU usage.

Overall, EQ is the single most powerful tools when mixing. There is absolutely no such thing as being a ‘one size fits all'solution. Unlocking EQ involves putting it on to just one instrument during a period and practicing. Soon you'll develop your own personal technique and approach that will aid nail the amalgamation every time.

Now, apply these EQ settings within a music production you are presently working upon hear the second results on this tutorial. This is just a smaller dose of instant results you're going to get when enrolling in the 7 Lesson Course: Being a Music Producer and Audio Engineer.

Tutorial: EQ Settings; Music Production Equalizer Settings
1) Start which has a sub bass kick drum. Cut using a low shelf or hi pass setting at 30hz, then 50hz, then 80hz and ultimately 120hz. Employ this being an ear training exercise until your ears can clearly hear the difference.
2) Now please take a punchy bass line (not a sub bass) and stick to the same guidelines as #1. Focus on the sub bass kick drum and punchy bass line fit similar to a glove by only cutting frequencies. Remember, when studying eq NEVER boost – you'll do more harm than good. For those who wish to boost, you will be more well off looking for a better sound that gets the settings you are looking for.
3) Try out vocals. Cut in the 300hz range for male vocals and 500hz range for female vocals. Again, work with this as ear training you should to learn how each instrument fits ‘in the pocket'by cutting vs. boosting.

When you need more specifics of EQ, recording and mixing, setup a totally free training consultation below.

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