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Tuesday, July 24, 2018

#Photography: Yet Another Tips For creative Photographers

Ever wonder if the grass is actually greener on another side? Vinny Le Pes, a creative jack-of-all-trades and the host of the Youtube series Creative Crossovers, has some insight to talk about on the matter. As he explains, the planet of painting and the planet of photography have an alternative set of challenges to overcome and an alternative set of techniques to master. However, each discipline has something to supply another:
Believe it or not, thinking more such as a painter can actually be beneficial to honing one's skills as a photographer. Listed below are just a few tips and tricks from the planet of painting, reimagined to aid photographers of all sorts.

MAKE STUDIES

Painters don't just dive in to a large complicated piece blindly. Instead, they create loose sketches to try composition, try colors, and practice different techniques. This makes perfect sense. In the end, why spend weeks on a bit and find out the hard way that something isn't quite perfect?
Some photographers do create sketch images and experiment, of course. However, photographers rarely breakdown the weather of an intricate piece they'd like to accomplish and concentrate on smaller facets like color and lighting. This would provide targeted practice that might then be applied toward a concrete goal.

BUILD COMPOSITIONS

There's a distinct difference in the way painters approach composition as opposed to photographers. Painters inherently start with a blank canvas. This implies that they have to create compositions of their own, from their imagination. Photography, on another hand, often involves making adjustments to a composition that's already present. More regularly than not, painters add and photographers subtract.
That being said, photographers don't often have the true luxury of a blank canvas unless they work exclusively in studio. However, as photographers, it is possible to be much more cognizant of compositions and maneuver around accordingly to add importance to the weather which are already present within the frame.

FOCUS ON ANATOMY AND FORM

Painters are faced with the task of constructing their subjects from scratch. In order becoming a master of the medium, carefully studying the shape and flow of one's surroundings is an absolute must.
Photographers often don't take once to comprehend just how light falls or what sort of body moves simply because they don't really have to create their images from the underside up. However, taking the time to comprehend those concepts can significantly improve a photographer's final product.

MIX COLOR PALETTES

Pull out the old color wheel; it's more useful than most photographers realize. Almost always, successful paintings include a harmonious palette filled with carefully chosen complementary and contrasting elements. This is because color, when used properly, can instantly convey a mood or even a feeling or even a thought. When capturing, it's important to consider how the different tones and hues present within the composition might impact viewers.
Furthermore, all way too many photographers neglect proper color balance while post processing. Being able to recognize that a skin tone is off-kilter or even a print has a slight color cast may seem inconsequential on its own but ultimately adds an element of professionalism to some photographs.

COMBINE WARM TONES AND COOL TONES

Sure, highlights are not inherently warm and shadows are not inherently cool. However, the painters of old often relied on natural light, which resulted in a very good cast from the blue sky contrasted with the warm, direct light of the sun. Though it could seem that, theoretically, mixed tonal temperatures would clash, they really complement each other quite nicely in practice.
Warm highlights and cool shadows look just of the same quality in photographs while they do in paintings. Don't forget to combine color temperatures together or make tweaks to bring out existing colors and exemplify contrasts.

WORK IN LAYERS

Patience is really a virtue, and the old saying rings particularly so for painters. To create a piece with depth and detail, it's required to constantly layer on paint and watch for it to dry. Painting is really a process. No painter worth their salt expects their job to be finished overnight. On another end of the spectrum, a photographer can produce something making use of their camera in a split-second.
Most photographers would probably benefit from spending time on the individual photographs as though they were paintings. Take a few moments to regulate your models or backgrounds. Spend time in post production. Don't lean on presets. Whenever a photographer adopts a painter's mindset, every photograph becomes something precious.