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Saturday, June 9, 2018

#Musicproduction: Mistakes Music Producers Make

#Musicproduction: Mistakes Music Producers Make

1. Bad posture

We'll focus on a softball. Modern music production requires that you may spend lots of time sitting at a table facing your computer. There's a good chance you've left long studio sessions feeling crumpled: your back and neck sore and your shoulders rounded. Desk bod is really a real thing and can cause serious physical and mental issues down the line.

Solution: Keep your posture in balance by taking timed breaks to stretch and straighten up. This may give your eyes and ears a needed break too. Prop your screen up therefore it is at eye level. You'll avoid neck strain and unnecessary bending of your back. When you have moolah to blow—buy comfortable studio chair with proper support.

2. Comparing yourself to others

It's understandable to desire to be like your musical heroes. They're a myriad of awesome and developed great ideas before everyone else. But when being truly a fanboy crosses to comparison, you can begin to seriously chip away at your confidence. There is always an individual who can have more experience, training, and usage of expensive equipment. There's no use within holding yourself as much as an unfair standard.

Solution: All of us have different advantages. Maybe you produce complex rhythms in your sleep or write memorable melodies in route to work. If you simply compare yourself to other folks, you won't find yours. Follow your creative instincts. Exactly what do you focus on that separates yourself from others? Build on that skill. It will undoubtedly be much simpler and rewarding to track your improvement.

3. Unclear naming conventions

Sooner or later, we've all had our desktops littered with files like cool_sound_9.wav. It is a big, ugly mess. But one that is easy to clean up. To start, group samples into folders based on tempo, timbre and instrument, or something that'll still sound right for you in per year from now. Organize your tracks in folders by month, so it is simple to locate them again.

Solution: Apply this same logic to your DAW channels. When you settle from the initial rush that comes with starting a fresh project, label and color code your instruments so you understand where to attain through the arrangement and mixing stage.

4. Unplanned studio sessions

In the event that you leave your sessions too loose, you won't get music finished. I'm all for spontaneous jams, but a business schedule—just like a schedule for work or school—is would have to be productive.

Solution: Start with weekly goals, like finishing a track. Use each studio session for a certain task that'll allow you to get nearer to completing that goal. Set the conditions for your own success.

For instance:
  • Monday: recording rhythm group, finding ideas
  • Wednesday: working on the arrangement, record vocals and solo instrument
  • Friday: make a test mix, rerecord where necessary
  • Weekend: mixing, mastering, remix, remaster,...

5. Starting, but not finishing music

DAWs have made it easy for anyone to produce music. You never require a bundle, special gear, or even theory to get started. What remains a bigger challenge is finishing music. Being a music producer is unique of becoming an artist with a completed catalog of tracks. Finished material is what record labels, promoters, and concert bookers want from today's creators.

Solution: There's so much you are able to learn during the method of finishing a course that you'll miss if you open up a brand new DAW session every time you hit the studio. To be clear—don't assume all track you make has to be always a hit. But when that you don't put in the time and effort over and once again to finish tracks, you won't ever know when you can actually make one. And you almost certainly can.

6. Not sharing your music

When you do finish tracks, let the world—or at the very least a handful of people—hear them. You can find so many alternatives for sharing music that you've no reason not to.

Solution: Start with your music friends. They'll be able to offer you specific feedback that dives to the techier side of things. “Raise the kick.” “Put a low-pass in your bass.” You receive it.

Then, send your tunes to non-music maker friends. These folks will make up nearly all your fanbase, so it's important to know from what they think. You will end up surprised at just how much insight you can get from individuals who don't know even know very well what BPM stands for.

And if you're not doing it already, get your music on every streaming platform available. The more individuals who hear it, the more chance for success. There is a constant know who's listening on another side.

7. Avoiding networking

For most producers, networking is a job and removes from precious studio time. I realize the sensation completely. But truth be told, venturing out and meeting music industry people is the greatest way to construct relationships that help your career. Here's how to accomplish it.

Solution: Turn on your artist social networking pages and tell people what you're working on. Be active in your community. If you wish to play live, ask visitors to book you for shows. Go to local concerts and talk to the crowd and performers. Musicians, producers, and artists, more than most other sets of people, desire to connect.

Find people who will answer your questions about music production and assist you to in your path toward success, whatever that'll be. Maybe you are able to help them too. Even if the connection isn't transactionional, you could just end up getting a brand new music friend. And that's never a poor thing.

Making a bad thing good Bad music producer habits can be broken. It's a matter of recognizing what gets in the manner of your success as a music producer, and changing your behaviour for more positive results. Sounds simple enough, right?

Surround yourself with people who'll support you and encourage you to hit your production goals. Record your progress and be happy with your achievements.